Editor-at-Large https://www.codastory.com/author/kira-brunner-don/ stay on the story Fri, 20 Dec 2024 07:46:54 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.2 https://eymjfqbav2v.exactdn.com/wp-content/uploads/2019/07/cropped-LogoWeb2021Transparent-1.png?lossy=1&resize=32%2C32&ssl=1 Editor-at-Large https://www.codastory.com/author/kira-brunner-don/ 32 32 239620515 A Ukrainian filmmaker photographs a sinister landscape https://www.codastory.com/armed-conflict/a-ukrainian-filmmaker-photographs-a-sinister-landscape/ Tue, 15 Oct 2024 12:48:52 +0000 https://www.codastory.com/?p=52241 When Russian troops invaded Ukraine in February 2022 the documentary filmmaker Oleksandr Techynskyi quickly moved his wife and two teenage daughters out of the country and took a job translating for a foreign TV crew covering the war. Where he once spent his days making lyrical films, he now spends endless hours crisscrossing the country

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A Ukrainian filmmaker photographs a sinister landscape

When Russian troops invaded Ukraine in February 2022 the documentary filmmaker Oleksandr Techynskyi quickly moved his wife and two teenage daughters out of the country and took a job translating for a foreign TV crew covering the war. Where he once spent his days making lyrical films, he now spends endless hours crisscrossing the country in a car full of foreign journalists. With his own work on hold and his family in Germany, his days are now defined by the war and the road.

But almost as if he couldn’t help himself, he picked up a camera and began snapping photos from inside the car. At first, he tried taking photos of what he saw in a traditional journalistic style that he thought would attract foreign media outlets. But the straightforward shots of devastation left him cold.

Then he began taking a different approach. He imagined his new photos as stills from a movie. He was the protagonist in a car driving through a land of the living dead. “This is an apocalyptic noir that shows our present—heavy, leaden clouds and ruined homes,” he says, referring to his new images. “The car passes people resembling zombies with empty eyes.” Stopping amid these ruins inevitably leads to the death of the protagonist. “He himself will turn into a zombie, and he will also wander the mazes of war-torn cities,” says Techynskyi, who everyone calls Sasha.

The TV crew that employs Sasha works on rotations: two weeks on, then two weeks back in Europe to rest. But for Sasha there is no break. As soon as he’s done with one team, he picks up a fresh one at the Polish border. “I clearly remember only the endless road,” he says. “When I have an unexpected weekend, I come home. There is no one there. My wife and children have been evacuated. I wander around the house and can’t find a place. I can’t sleep. It is a black hole. Here the nausea is even stronger.” Rather than stay home, he asks for another assignment escorting a fresh crew of TV journalists back into the war. “I want to go back,” he says. “At least I feel alive there.”

I first met Sasha in 2017 when he was my translator on a reporting trip. It was only a handful of years ago, but the world was far different then. Ukraine’s democracy was young and the country was an intoxicating mix of independent idealists, wayward politicians, corrupt businessmen, and a new breed of artists and bohemian free spirits. Back then, Sasha split his time between the eastern city of Dnipro, where his wife and daughters lived, and Kyiv, where his art and friends thrived. He spent his days creating intimate, wide-ranging documentaries that won international awards. He documented everything from the Maidan Revolution to stories of baggage carriers sleeping by the side of the road and the lives of fishermen of the Ukraine River Delta.

Sasha’s films explore profound, sweeping concepts, but always with a quiet, poetic eye. The films are empathetic without being simplistic and always attuned to the absurdity of human existence—hallmarks of a true Ukrainian. There is one scene in particular from his documentary about the Maidan Revolution that encapsulates this. In the film, a group of young protesters pull down a tall stone statue of Lenin that once stood on a large pedestal in the middle of the street. The protesters find a sledgehammer and begin hacking away at the toppled figure. As a reporter in eastern Europe in the early 90s I’d witnessed many a Lenin statue dismantled, sometimes with a simple slow-moving crane that reached down and elegantly plucked it out of the ground. Other times with a violent crowd enthusiastically chanting; hoping to eradicate the past and move feverishly forward into that new unknown future.

On this particular night in Ukraine Sasha’s film captures an old Soviet man stumbling amid the crowd as if in a fever dream. “Please,” he said. “No. Please.” Sasha filmed him as he slowly lowered his body onto the bust of the newly toppled Lenin begging the crowd to stop. He leaned down and kissed Lenin’s head. The crowd, wild and full of ferocity, watched him bemused. But no one touched him. He was a man from their shared Soviet past crying as he watched the world as it once was crumbling around him. “Come away, father,” said one protester gently. “Kiss it and say goodbye,” said another. “In 1917, you overthrew us; now it’s your turn to be overthrown.” A young woman pleaded with him to leave and scolded the crowd for jeering him. “He’s old enough to be your father,” she said. Finally, two men escorted him away, staring down anyone in the crowd who might dare to touch him.

But that was before. Before the 2014 annexation of Crimea; before Russia’s full-on bombardment and systematic destruction of the country. That was when Ukrainians felt the future was entirely in their own hands. Overthrow the president, end corruption, cull through the bank accounts of the oligarchs. The catch words in those days were transparency, freedom, and democracy. And for the first time in years, these lofty goals seemed like an actual possibility. Of course, this new possibility was not pristine but it was beautiful all the same, the way real possibility always is. The way the future actually works.

When I first met Sasha, Ukraine was barely an afterthought to the west. It was just one of the last of the formerly Soviet countries to find its footing in the new capitalist word. Maidan was three years in the past, and a low-level war with Russia was playing out in the east. Just troublesome enough to keep Ukraine from having a serious chance at entering the European Union or NATO. The West was far from intent on getting into a proxy war with Russia. This could go on for years—and did. Eight years, in fact, of Russians picking off a number of young men every week. Enough to keep the flames of war burning, but not enough to stir the ire of the West.

It was around that time that Sasha and I traveled down to Dnipro to interview soldiers recently wounded in the fight against Russia. I knew that few, if any, in the West would be interested. I even suggested we not bother the men, that it felt false or worse. “No one will want this story,” I told Sasha in the hospital parking lot. This was before Ukraine became the darling of the West. Before Volodymyr Zelensky spoke by video at the Grammys, before Manhattan boutiques showcased Ukrainian flags in their shop windows, and before scores of Western journalists poured into the country, tracking down any quotes they could get from soldiers and fleeing villagers.

Sasha just shrugged. “It doesn’t matter that no one will read this. The men will like it,” he said. “They’re village boys. An American journalist standing at their bedside, and a woman. It’s something. They will say patriotic things and feel better.” So, we went inside the hospital and walked through rooms lined with beds full of newly wounded soldiers.

Sasha was right. The men were eager to talk, and every one of them spoke of the same thing: the glory of Ukraine, the bravery of their comrades. How much they loved their family and wanted to die for their country. Only one man was silent. The day before, both his legs were blown off by a Russian grenade. He lay in bed staring at the ceiling, the blood soaking through the white gauze bandages wrapped on his limbs that only hours earlier had been cut just above the knee. Sasha and I looked at each other. Sasha shook his head, I nodded and we both walked quietly past the bed.

When Vladimir Putin unleashed Russia’s full force invasion earlier this year, I immediately texted Sasha to see how he was. Over the next several months we kept an easy correspondence of texts and phone calls. At first, it was hard to know how bad things would get, and where or when the Russians might attack. During one of our first phone calls after the invasion he was in a dark humor, a bit stoic as if preparing himself for death. “I’ve had my adventures,” he told me. “If I die, I die.” Then he got quieter and said he now felt real joy when he saw a Russian soldier lying dead on the ground. “I am afraid of what I am becoming,” he said.

These days, I think of Sasha as I once knew him—as he still is, even now—forever lighthearted, laughing and talking animatedly, sharing wild thoughts. I remember our long drive back from Dnipro to Kyiv in the rain. The windshield wipers flip-flopped back and forth as he rattled on in his enthusiastic way. Trucks passing us in gusts of water and rain. He was on a jag about a new idea that had just occurred to him. “Maybe I am a feminist,” he declared. I remember being amused, but he was dead serious and wanted to discuss the possibility for the next hour. He couldn’t stop talking, and the wipers swished back and forth, as if trying to keep up with him.

Sasha was not supposed to be an artist; he was supposed to work in the diamond mines of Siberia with his father and brother. He was born in Ukraine during Soviet rule to a father who worked long, hard hours in the Ukrainian coal mines of Donbas. But when a mining accident broke both his father’s legs it was enough to provoke his father to make a change. Looking for a better life, he moved his wife and two sons to Siberia and took a job as a mining engineer. That’s where Sasha spent most of his youth. The family returned to Ukraine only after the fall of the Soviet Union. His father, though, was never entirely able to find a place for himself back in Ukraine. He lost his job, he lost his wife, he lost his family. The collapse of the Soviet Union took everything. “In the end, he found a way to save what he could save,” says Sasha. “He took my young brother and headed back to Siberia.”

And that is where his father has stayed for 22 years—all of Putin’s reign. There, Sasha’s father watches Russian TV and rarely uses the internet. “He’s totally out of understanding of what’s really going on.” When father and son talk on the phone, Sasha might try to explain what’s happening in Ukraine now, how whole cities have been decimated by Russian shelling. But his father is awash in Russian propaganda. “He doesn’t believe me,” Sasha says. “He is polite. But I can hear his skepticism.” Rather than being angry with his father, Sasha is patient, even generous. “His life was tough and now in a way he’s finally found some peace,” he says. “He doesn’t want to get out of his bubble.”

Sasha, meanwhile, spends every day immersed in war. We texted one night after he’d spent hours at the mass grave site in Izium where 440 bodies were found. He worked all day with the television crew as they filmed the bodies at the site. Some victims had their hands tied behind their backs. Some were children. Some were tortured or killed, by chance, in a bombing. In the midst of everything, Sasha pulled out his own camera and took a black-and-white photo of emergency workers clad in white suits and masks, quietly standing in line before the police tape surrounding the exhumation area. That night he posted the photo on Facebook, titling it “Lifeguards in the Pines.”

Gatherings such as these have become a kind of morbid homecoming for Sasha. They are where Ukrainian journalists run into each other, where they meet and catch up with friends. “You are on the road,” says Sasha, “and then in the end at the newly liberated town, the new mass grave, you are standing there and hugging your journalist friends that you haven’t seen for a long time.”

Sasha has become more at ease with himself and the war around him. As if he and others are simply becoming more accustomed to death. Recently, he told me about a friend, “a real peaceful guy, you know the type who likes to sit and catch fish from the bank of the river.” But now, Sasha tells me, this friend “can’t go to sleep without watching YouTube clips of the murder of Russians. This is a common thing. It makes sense—there is no other way for us.”

Sasha continues: “Russia wants us to be all the same. No love, no education, no future, no choices. We aren’t just fighting against brutality—we are fighting against slavery.” He lists the freedoms that Ukrainians are in danger of losing: freedom of speech, freedom to be gay, freedom to simply be a person. “Of course, we must win, or Russia will just continue to swallow all the other post-Soviet countries too. Kazakhstan, Armenia, Georgia,” he pauses. “Belarus is already swallowed.”

There is now talk of a fresh wave of military conscriptions. “One beautiful day, I will receive a conscription letter,” Sasha says with a laugh. If that day comes, he will need to report to the conscription center. “After that, everything can happen,” he says. “If I receive a conscription, of course I will go.” He pauses. “And take whatever will come.” The work he’s doing with the European TV crew also helps the war effort—news of Ukraine inspires EU countries to send more money and resources. But he is clear he won’t mind if he’s called up.
“Yes,” I say to him, “but it’s different to hold a gun than a camera?”
“Yeah, but you know,” he says, laughing, “to kill Russians, that would be a pleasure.”

Sasha’s daughters are 13 and 16. “The main thing for me now is to keep them as far as possible from the war,” he tells me. “I want them to be usual teenagers with usual teenager problems. Not teenagers heavily traumatized by the war.” He then mentions his fear that his daughters might lose some of their joyfulness. “I’m just a happy person,” he says. “I was this way from the beginning. My wife is like that too. No matter what happens, you can’t break those kinds of natural things inside of me.” He stops. “Small things make for happiness,” he says. Then I realize he means something profound. “Small things save lives.”

This story was originally published in Stranger’s Guide.

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Fear and hope in wartime Gaza https://www.codastory.com/armed-conflict/gaza-mental-trauma-refugees/ Fri, 14 Jun 2024 08:01:08 +0000 https://www.codastory.com/?p=50957 The story of one doctor’s attempt to treat trauma in the middle of a war

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In a small smoked-filled café in Cairo six months after the start of the latest Israeli-Gaza war, I sat with Dr. Yasser Abu-Jamei, a soft-spoken man whose suit jacket hung loosely on his light frame. He had escaped Gaza eleven days earlier and had the physique of a man who had not eaten enough for months. When I asked him what the first night out of Gaza felt like, he described how strange it was to wake up and realize he was surrounded by walls and a roof rather than the flapping of a tent. He, his wife and their six children, along with 15 other families, had spent the past three months in a makeshift encampment in Rafah, in the southern Gaza Strip.

As early as the afternoon of October 7th, when word first broke of Hamas’s attack on Israel, Abu-Jamei had a troubling sense of what might follow. His house sits not far from the Israeli border, and he and his family fled on that very day with little more than the clothes they were wearing. After a short stay in a school in Rafah, they went in search of a better place to live. They ended up dropping their belongings on a piece of empty land near a bit of running water. Under the circumstances, this amounted to a luxury.

Despite Israel’s monthslong attacks on Gaza, the house that Abu-Jamei and his family left behind remained untouched all through the long months they stayed in the tents. The home was still standing the day they arrived safely in Egypt, the war far behind them.

But as Abu-Jamei knows better than most people, one cannot simply leave a war behind, and attempting to will away its psychic effects is an illusory trick. He has spent his career studying trauma, war, and the psychological damage caused by violence. As a psychiatrist, he began working with patients scarred by Israel’s 2014 war with Gaza. For the past decade, he has been the director of the Gaza Community Mental Health Program, a mental health service provider in Palestine that affords counseling and resources to countless patients in the region.

During his first night in Cairo, sleeping quietly in a bed far from the cold night air and the flapping of the tent, the fact that he was safe provided only so much comfort. He could not help but think of his uncles and cousins who were still in tents. “I could not split both feelings,” he said. “I felt ashamed that I was out. I still feel guilty. There is survivor guilt. And that is a very uncomfortable feeling, you know?”

Abu-Jamei’s own work taught him not to be surprised by the intrusion of such thoughts. Over the years of conflict in Palestine, he’d spent many hours working with children and adults who were traumatized. Adults, he explained, could talk through their feelings and thoughts, but children often didn’t have the language or understanding for such conversations, even if they had the very real need. So, he and his colleagues would use puppets for them to act out their emotions. When words failed, they used toy planes and tanks to allow the children to construct physical scenarios. At times, however,  during the most recent bombings it was almost impossible to find toys for this work.

Abu-Jamei explained how, paradoxically, it was often when the worst bombing was over that people began reacting to the trauma. In moments like this, there was time to reflect rather than simply revert to survival instincts. That is when Abu-Jamei’s work was most important and most sought. Now that he is in Egypt, he plans to implement a telephone help line that his center has run for years but was routinely rendered useless during the war by a lack of electricity and Wi-Fi. The hope is to establish a secure phone line to psychiatrists outside of Gaza who can answer calls and work with patients stuck in the war zone.

Most people in Gaza have not been as fortunate as Abu-Jamei in finding the means to flee the war. He is the first person to recognize his privilege in being able to pay the steep price to leave, and although he is better off than many, it was still a considerable burden for him. During the ongoing bombardment of Palestine, the Rafah border crossing has emerged as the sole route out of the country. But only the fortunate few with money, foreign passports, or approved medical reasons have managed to cross this border into Egypt. The fees to cross are roughly $5,000 per adult and $2,500 per child—a sum that is out of reach for most. The “travel bureau” tasked with facilitating crossing is Hala Consulting and Tourism, an Egyptian company with reputed ties to the Egyptian security services. Once the fee is paid, a name is added to a list. Every night, those who have paid check the list on Facebook pages and Telegram channels to see who will be able to cross into Egypt the following day. If you’re lucky, you’ll be among the hundreds that cross the border every morning at Rafah.

Palestinian boy in Gaza practicing parkour. 2018. SOPA Images. (Alamy Stock Photo).

It wasn’t until he arrived in Cairo that Abu-Jamei learned that his house had, in fact, just recently been destroyed. He and his wife spent 17 years carefully building and decorating their home. Whenever they had a bit of extra money, they put it toward a new improvement on the building—a second bathroom, a new sofa, a special refrigerator. Like many other Gazans, he kept tabs on his neighborhood during the war by looking at videos that Israeli soldiers posted on TikTok. He pulled out his phone as we talked and showed me a TikTok posted by a member of the Israel Defense Forces. It shows a truck barreling down a dirt road, empty lots and homes on either side. “See, there,” he says, pausing the video. “That’s our house.” On that day, at least, he knew because of the timestamp of the video that his home was still standing.

But the next series of photos he shows me are of rubble. His cousins can be seen walking across a pile of cinder blocks that had once been his house. “They went to search to see if they could find anything worth salvaging,” he said. But all they were able to find were one or two mismatched earrings and a brooch—“presents I’d bought for my daughters over the years” when he’d traveled abroad to give a lecture or attend a conference. “I traveled often for a Gazan, maybe twice a year, and I always brought them back gifts.”

It’s late, and Abu-Jamei and I have been speaking for several hours. The café had filled with young people clustered around tables, talking animatedly. Downtown Cairo was full of life: strolling shoppers, fashionable women walking next to young religious scholars, exuberant soccer fans watching the latest match at packed sidewalk cafes. We stepped outside to say our goodbyes on the street. Abu-Jamei stood still as the traffic of Cairo swerved by and the florescent lights of downtown shops blinked behind him. A calm man amid the noise. He stayed there on the sidewalk, talking as if he were in no hurry to say goodbye, even though I imagine he had a hundred obligations, a thousand things to do. Among them were things to buy: basic household items and new clothing for his wife and children, who were still wearing  clothes from the tents. And there were people back in Gaza relying on him for assistance. Finally, he shrugged, smiled gently and stepped out into the street to walk home. Or, what serves as home for now.

Palestinian youth in Gaza practicing parkour. 2018. SOPA Images. (Alamy Stock Photo).

IN HIS OWN WORDS

Yasser Abu-Jamei as told to Kira Brunner Don

Most of the population is severely affected psychologically and have physical ailments, but their main concerns at the moment are their basic needs. It’s reported now that in the Gaza Strip one third of the population faces level three famine—this means that there is an urgent need for food support. No one can sleep without food, but now everyone in the north of Gaza—600,000 people—are basically starving. 

I lived in a shelter for three weeks, and then moved to a tent, where I stayed with my children and my family for about three months. Tents do not have privacy. Whenever you talk, everyone listens. We were in a place with tents for my uncles and my cousins, we were all next to each other—maybe 15 families together. There is no variety of food; no fruit, for example, and vegetables are very rare and expensive. In December and January we managed to buy chicken only once; fruit only once. One chicken was about 70 shekels or $20. Who can afford that? Since there was no variety of food items, I saw that my kids were losing weight. The whole Gaza Strip was losing weight. You could see it in your friends when you meet them after two or three weeks. And it was a problem, especially for the kids.

During war time, people rarely get mental health services, unless there is a clear instance of trauma. Everyone is preoccupied with safety and finding food. But a couple of weeks after a ceasefire takes place, people notice something is wrong with their kids or themselves, and then they would start to seek mental health intervention. That’s why we usually see an influx of patients or clients two or three weeks after a ceasefire. 

I’ll give you a very clear example. A lot of people are always trying to hear news about their loved ones, about their homes, their houses, their neighborhoods—whether people that are missing have been killed, whether they have been detained, whether they are in the rubble. And they hope for the best, of course. So people are between frustration and hope all the time. When a ceasefire takes place, everyone starts to move around and go back to their homes to find out what happened, then they start to face the reality. They lost their house. They lost their loved one. You end up not only homeless but also broken. There is no place to go to. Aid takes ages to come. What can you do? And then people start to show symptoms and they start to come and visit us. 

One of the main services we offer is telephone counseling. It’s a toll free line. We were not sure that our colleagues would be able to answer the phones because of the lack of power, so that’s why we have partner organizations in the West Bank we forward our telephone line to so that their psychologist can help our people. It’s a relief.

For the last two months, we sent our psychologist to provide psychological first aid. They go to the shelters, they identify the main issues. The issues that adults and children have are a little bit different—at the moment, adults show anxiety about the future; what might happen at any moment; the bombardment, tanks. They are between desperation and depression. Others feel that there is no way out or that an end is coming close. There are a lot of family quarrels and social issues because of the pressure and the stresses and the lack of resources. A lot of disputes happen in the community. And then there are also sleep difficulties.

Children have different symptoms. Their main thing is fear. They’re just afraid and they long for their normal life. They ask when are we going to go back to school, their neighborhoods, their homes. And there is no answer to that. Then there are behavioral changes. A lot of children, especially the younger ones, become more irritable, more hypervigilant. They are more worried and agitated. They can’t stand still. And they start to be disobedient. They fight more, they become more angry, they become more aggressive. And with the night terrors and nightmares, they wake up in the middle of the night screaming. 

My youngest child is two and a half. She used to scream in the middle of the night. The conditions were really terrible. But when we moved to Rafah, the bombardment was less frequent and the nights were calmer, but it was still terrible. The good thing is that there were a lot of children in the community in those fifteen tents where we stayed. So children were spending a lot of time together playing with the sand. My wife used to joke and say that during the day, the tent was like an incubator, and sometimes she called it a greenhouse. It was extremely hot so it was good the kids could stay outside. And in the night, the tents were freezing cold.

And who are the most affected? It’s the vulnerable groups—women, children, disabled people, people with chronic illnesses. As a mental health professional, my eyes are always on the most vulnerable groups because they are more impacted and the psychological implications are more apparent. My team and I try to do our best. 

If a ceasefire happens tomorrow, it will take two or three months for caravans to come. And then the authorities, whether local or national organizations—will they prioritize mental health, or are they going to prioritize housing? We are in this struggle all the time. We feel that mental health is not prioritized compared to other health issues like emergency health. 

I do think there will be a ceasefire, but look. We live in the least transparent area in the world. You never know what’s happening. You never know what’s on the table. What’s below the table? You never know what the negotiations are really about. And even when a ceasefire is reached, you don’t know what the deal is. That’s historically what I feel. I lead one of the main civil society organizations in Gaza Strip, we’re quite known locally, internationally, quite respected for our work, and we never know what’s happening. So given that, what we have is just hope. And we do have hope, sometimes it’s stupid hope, but what else is there to do? That’s the thing that keeps you running. There is no other way.

Complicating Colonialism

This story is part of our Complicating Colonialism series, which explores how unfinished conversations about the past play out in our daily lives and shape our collective future. Read more from this series produced in partnership with Stranger's Guide Magazine.

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